I didn't want to buy this record at first. Their debut ep was good fast hardcore but nothing far away from your average hardcore band. Plus, I was scared that they turned "goth" like most of the mexican hardcore outputs of the last two years. And both artwork and title presumed that everything went exactly in that direction. But since it was released by SPHC, basically the only modern label that's releasing new bands I care about, I decided to give it a try. And I'm glad I did it since this is a huge improvement compared to "juvetud descerebrada". Sacrificio debut full length "pulidores de tumbas" has a perfect recording: everything is balanced smoothly so you can hear distinctly every instrument. The songwriting has improved a lot compared to the ep. It's an awesome riff after another. Like for Tercer Mundo, the only other modern mexican band I'd dare to compare to Sacrificio, they didn't rip off the classic mexican hc sound. They created their own style which is always a nice touch in an era where hc/punk has became an endless repetition of the usual boring clichés of the genre. I don't think I've heard another 2017 hardcore release that sounds so fresh without upsetting the rules of the game. A serious contender for the best lp of the year if you ask me.
giovedì 21 settembre 2017
Not being a big fan of UK punk/hc bands in general, I've skipped the first two issues of Negative Insight'zine. But their third effort got my attention as soon as they mentioned its not so imminent publication over a year ago. I guess everyone was excited about it since it comes with the first official reissue of one of the most fundamental record ever: Skitslickers "GBG 82" 7". If you're reading this blog, I suppose you're already familiar with this unfuckwithable masterpiece so I wont waste your time with too many useless words. It's one of the top 5 best HC eps ever. Period. Also, I was happy with my late 90s bootleg of it so I didn't buy this for the record. I've bought it for the 'zine. Not the cheapest 'zine you'll find around for sure, but worth every penny. Pro-printed in full sized glossy paper, it comes also with a huge Skitslickers poster. Focused on the early 80s' Gotheburg scene, it shows through every page that the editor knows what's he's talking about and is very passionate about it. It starts with very good interviews with Absurd (although, I would have loved to discover more about the rumours of the singer becoming a priest!!) & Disarm. Then you'll get a lot of "behind the scene" pictures from photographer Sebastian Todor. But the cherry on the cake is of course the very long and in depth chat with Lasse, the singer of Skitslickers, where he goes into details about the concept behind the band and you'll discovered a lot of unexpected infos about their attitude. Then you'll get another long one with the other swedish hc institution: the mighty Anti-Cimex. Here drummer Charlie tells a lot about their eps days. Another highlight of NI#3 is the report of the infamous Anti-Cimex/Agoni Chainsaw tour of the UK that happened in 1986. All written by point of view of the organizer & various direct witnesses (including well-known names of the UK scene from back then) of every single date. All in all, a high quality publication that I'd strictly recommend to everyone out there. I think they pressed a lot of copies but I'd get it as soon as possible since this will be sold out quickly. Too bad the next issue will be again focused on something I don't care at all...
mercoledì 6 settembre 2017
Very early interview with japanese noise masters Gore Beyond Necropsy when they had just released a demo! Taken from japanese 'zine No Deception#3 from 1992. Arigatou to Jum for providing the goods once again!
venerdì 18 agosto 2017
While everybody was crazy about Nirvana and grunge, in 1994 me and a few selected friends worshipped Anal Cunt and their debut full length "everybody should be killed". Here's a full set of the kings of noisecore, captured on stage on the 19 of June 1993. RIP Seth Putnam.
venerdì 21 luglio 2017
There's no informations at all in the Control/Exithippies split 7" released by Paank Lyvet earlier this years. No song titles, no band logos on the cover. Nothing. Which is quite annoying. That being said, I'm glad that Control from Fukuoka are back! I'm pretty sure you've heard endless bands being compared to Confuse. Usually, most of this stuff is just utter crap. But Control is perhaps the band that nailed their city mates legendary sounds perfectly. 6 years has passed since their split with Stagnation and "live to distroy public places" ep came out. But I'm happy to say that their sound didn't evolve at all. Pure Confuse worship perfectly executed from the start to the end. Nothing more, nothing less. While the noisepunk trend faded away few years ago, these guys kept doing their own thing, not caring if it's hyped or not. One of the best band outta japan right now. On the other side, Exithippies. An unique band that usually leave me speechless. I like them when they play noisepunk, but I don't get it when they mix it with techno/electronic music. We tried to do something similar with my grind band in the mid/late 90s. It doesn't work, simply. Well, there's tons of people praising this band so maybe it's simple my problem. But if you want my 2 cents, this ep is worth for the Confuse, ooops, I meant Control side only.
lunedì 10 luglio 2017
I still remember a copy of Nuclear Death second full length "carrion for worm" lp sitting for years in New Zabrinskie Point's metal section. While flipping through records, every time I bumped into it, I always stopped, grabbed it and stared at the cover. It had one of the ugliest yet intriguing artwork ever. It looked like it was drawn by a very disturbed 7 years old kid. Seriously, a creepy long haired dude with a dead cat hanging on his belt that's ripping flesh out of what looks like a dying calf with a human face? And a worm shaped zombie looks at it while crawling out of the soil? They definitely knew how to get my attention. But this artwork was too disturbing for 16 years me so I always put it back and went through the rest of the crates. Then one day, while talking with the drummer of a local grindcore band from back then, he mentioned them as one of their main influences and started praising them. So next week I finally asked to the record shop owner to listen to it. I wasn't prepared for what came outta the speakers. This wasn't nor your average overproduced yankee technical death metal neither classic grindcore. Like the cover, the music was ugly, dirty and with one of the lowest production ever. I didn't like it immediately. It took me several years to finally understand and digest it. Nuclear Death was, and still is, the most unique band that came outta US in the early 90s. Fronted by Lori Bravo (perhaps the first female death metal singer ever?), this Arizona trio assembled some of the most original music at the time. While they never stand out for their musical ability, they created a dark and gloomy atmosphere by lowering down their sound as much as possible. Compared to their debut album "bride of insect" that still show some thrash metal influences, here they tuned down their sound so much to create one of the most depraved atmosphere ever. The only other record that has the same vibe is perhaps Blasphemy "fallen angel of doom", another contemporary masterpiece also released by Wild Rags. Add to that also an original lyrical approach. While everyone was dealing with satanic, horror/gore or political stuff, Nuclear Death went for the darker side of the human mind, its most depraved ideas and perverted thoughts. Something as hard to deal with as their music and artwork. If the word "cult" has been definitely abused in the last few years, well Nuclear Death is absolutely a band that deserve this adjective & status. Scored this copy recently still sealed for a good price.